Editor + Motion Graphics

What You'll Own

• Cut and publish social video for Dream Lab and Luma across TikTok, Instagram, LinkedIn, and YouTube, vertical and horizontal, at the team’s target cadence.

• Find the hook, story, and structure inside raw footage from Dream Lab shoots, workshops, creator sessions, and partner projects.

• Turn Luma product moments (Ray3.2, UNI-1.1, Luma Agents) into tutorials and demos that make a complicated creative workflow look easy.

• Be enthusiastic about trying out the tool and knowing what the team is up to.

• Build motion graphics into the video components AND text and logo animation that belong to the piece rather than a preset dropped on top.

• Design and animate motion graphics and heavy type-driven title cards, lower thirds, and end cards that give Dream Lab's content a distinct, recognizable visual signature.

• Apply precise kerning, tracking, and type treatment across all on-screen text so it reads cleanly at every size, from full-screen titles down to mobile captions.

• Use motion tracking to lock graphics, type, and effects to moving footage, integrating them seamlessly into live-action shots.

• Build sleek, seamless transitions — whip pans, match cuts, morphs, masked wipes, and type-driven scene changes — that keep pacing tight without calling attention to the cut.

• Cut longer-form work: YouTube series episodes, project breakdowns, interviews and profiles of Dream Lab's team, creators, and partners, and original scripted or narrative pieces from assembly through picture lock.

• Version every piece for where it lands: cutdowns, teasers, trailers, aspect ratios, runtimes, captions, sound design, color.

• Read the performance data after a piece publishes and change the next hook, format, or opening because of it.

• Keep footage, project files, graphics, music, and exports organized so the next edit starts fast instead of starting over.

First 90 Days

One way the first 90 could unfold.

• Days 1-30, Immerse & Diagnose. Learn the footage library, the content pillars, brand guidelines, and how Luma and Dream Lab show up online. Start shipping social cuts in week one and work up to the daily cadence.

• Days 30-60, Ship & Validate. Hold the cadence. Start using performance data to suggest for changes in hooks and formats

• Days 60-90, Scale & Systemize. Build the templates, graphics, and project structure that let one shoot become many pieces, and help push the team toward two to three published pieces a day across formats. Dream Lab's motion graphics and type system become instantly recognizable — bold, kerned-to-perfection titles, and graphics that feel purpose-built rather than templated.

What You Bring

• A portfolio is required and is the most important thing you will share with us. Send Instagram reels/Tik Tok/Youtube videos/other work you are proud of, and send the accounts or channels you ran or cut for with the specific videos you edited completely (graphics-edit), not one clip from a project you touched.

• 3+ years of professional editing focused on social-first content, digital storytelling, entertainment, or creative marketing.

• Advanced Adobe Premiere Pro and After Effects and Photoshop.

• Motion graphics you built yourself, including text and logo animation inside an edit.

• A real point of view and passion for what makes a social edit work: hooks, pacing, content pillars, and how viewership behaves differently on each platform.

• Command of pacing, structure, sound design, music, captions, and color correction, plus working knowledge of codecs, frame rates, and post workflows.

• Comfort with longer-form and narrative work. If you have cut scripted material, show us the piece and tell us what you cut.

• Self-starter habits: you can take footage to final delivery with light oversight, and you take notes enthusiastically

Nice to Have

• CapCut, DaVinci Resolve, Avid, or alongside Premiere.

• Motion graphics templates you built for other people to reuse.

• A channel, page, or account of your own that you cut and grew.

• Genuine passion in AI, filmmaking, and where the two meet.